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By Krista A. Thompson

Images of Jamaica and the Bahamas as tropical paradises filled with palm timber, white sandy seashores, and welcoming hot water appear undying. unusually, the origins of these photos could be traced again to the roots of the islands’ tourism within the Eighteen Eighties. As Krista A. Thompson explains, within the past due 19th century, tourism promoters, sponsored by way of British colonial directors, started to industry Jamaica and the Bahamas as picturesque “tropical” paradises. They employed photographers and artists to create conscientiously crafted representations, which then circulated across the world through postcards and illustrated courses and lectures.

Illustrated with multiple hundred pictures, together with many in colour, An Eye for the Tropics is a nuanced assessment of the aesthetics of the “tropicalizing photos” and their results on Jamaica and the Bahamas. Thompson describes how representations created to undertaking a picture to the surface international altered way of life at the islands. Hoteliers imported tropical crops to make the islands glance extra just like the pictures. Many widespread tourist-oriented areas, together with lodges and well-known shores, grew to become off-limits to the islands’ black populations, who have been inspired to behave just like the disciplined, dependable colonial matters depicted within the pictures.

Analyzing the paintings of particular photographers and artists who created tropical representations of Jamaica and the Bahamas among the Eighties and the Thirties, Thompson indicates how their pictures vary from the English picturesque panorama culture. Turning to the current, she examines how tropicalizing photographs are deconstructed in works via modern artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at a similar time that they continue to be a staple of postcolonial governments’ energetic efforts to draw tourists.

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An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque (Objects/Histories) by Krista A. Thompson

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